Native American

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The writings of William Purcell writing as Shunkepi Nunpi

Contents

Pictorials

Wounded Knee Pictorial

Littlebig Horn Pictorial

Abby Stewart

People of Turtle Island

SHORT STORIES

My Death

First Encounter

Old Man and the Boy

Grey Wolf

Sun Dance

Wounded Knee

Sweat Lodge

Ghost Shirt

Rides Beneath The Hawk

Wolf In The Heart

Last Journey Together

The Story Of White Owl

Morning Clouds Story

Wolf Society

The Sand Creek Massacre

The White Buffalo Calf Pipe

The Battle Within

The Drum

This Land

Journey
Home

POEMS

Page 1

Page 2

Page 3

Page 4

Page 5

Page 6

Page 7

Page 8

Page 9

Page 10

Page 11

Page 12

Graphics

Page One

Page Two

Page Three

Page Four

Page Five

Page Six

Page Seven

Page Eight

Page Nine

Page Ten

Page Eleven

Page Twelve

Page Thirteen

Page Fourteen

Page Fifteen

Page Sixteen

Page Seventeen

Page Eighteen

Page Nineteen

Page Twenty

Page Twenty-One

Page Twenty-Two

Page Twenty-Three

Page Twenty-Four

Page Twenty-Five

Education Section

History Home Page

The Lakota

Face and Body Painting 1

Face and Body Painting 2

Family Tree

Lakota Words 1

Lakota Words 2

The Pipe

Native American Quotes

The Horse

The Buffalo

Warfare

The Sun Dance

Life and Death

Lakota Word Index

Little Bighorn

The Decline of the Plains Indian

Present Day People of Turtle Island

Sites

Guest Page

Links

 

MEANINGS OF PAINT AND ATTIRE.

Original drawings by Thunder Bear. Copyright Walker Collection, Colorado Historical Society.

   Native American Indians painted their faces and bodies for several different reasons, as protection against the effects of the sun, to protect themselves from winds and insects. Some of the markings would indicate (see below,) membership in varying political or religious societies, while other markings would represent brave deeds done by the wearer in times of battle.
   Often the designs of the markings were merely personal decorations without any particular meaning attached to them.
The dry colouring was carried in small buckskin bags and was mixed with bear or buffalo fat. Then it was rubbed into the skin. Clays containing oxide or iron were used for red; kaolin clay was used for white; black was made from wood charcoal; and green from powdered copper ore.
Colours did not represent the same things in every tribe, but generally most tribes used black to represent death; red for human life; blue for sadness or trouble, white for peace or purity, and yellow for joy.  

KIT FOX SOCIETY LEADER. 

  
Original drawings by Thunder Bear. 
Copyright Walker Collection, Colorado Historical Society.

   The yellow colour on the body, face and arms indicates a membership in the Kit Fox Society. The red colour on the hands indicates a compliance with Oglala ceremonies that entitles the wearer to handle sacred things and to lead a war party. The red colour on the thighs, legs and feet indicates having danced the Sun Dance. The yellow fox skin suspended from the right hand is the badge of membership of the Fox Society. The eagle quills attached to it indicate that the man is a leader within that society and the red bird plumes attached to the top of the quills indicate a leadership in war, one such quill for each war party led.
   The war club suspended from the right hand indicates a warrior ready to do battle when called upon.
   The wristlets of otter skin with the fur on indicate compliance with the sacred ceremonies of the Oglala. The irregular coloured stripes around the forearm indicate having been a captive of the enemy and having made an escape from them.
   The armlets indicate compliance with the customs of the Oglala. The wisp of sweetgrass dangling from the armlet on the right arm indicates a willingness to comply with the customs of the Oglala. The red eagle plume dangling from the armlet on the right arms indicates an observance with the great virtue of bravery. The red dangle of tanned skin on the armlet on the left arm indicates having been wounded in the arm by an enemy. The blue/green dangle from the same armlet indicates reliability or trustworthiness.
   The red marks on the right upper forearm indicate wounds by cutting. The red dots on the left upper forearm indicate wounds by arrows or spears. These marks or dots may be placed on any part of the body. The horizontal red lines on the arms and body indicate having been in battle, as do the red lines radiating from the neck. One such line can be placed on the arm, body or neck for each battle.
   The eagle quills worn at the scalp lock, if worn upright, indicate having killed an enemy. One quill may be worn for each enemy killed. If the enemy was killed in battle a red bird plume should be attached to the tip of the eagle quill. If the quill has no such plume then the enemy was not killed in battle. Eagle plumes and quills may be worn as indications of many things but the indication is shown by the position of the quill, the colour painted on it and the manner of cutting it.
   The red roach worn at the parting of the hair in front of the scalp lock indicates having attacked the enemy when the enemy was protected in some manner. The eagle plume at the lock (coloured black in the picture although it would be white in reality) indicates a good repute.
   The hair unbraided when on the warpath indicates a willingness to do desperate ventures. The dark rings around the eyes indicate membership of the Society of the Owls and willingness to undertake, or having done, warlike things at night, or having surprised and killed an enemy.
   A black horizontal line across the cheek indicates having killed an enemy who was not a Lakota. Black around the mouth and on the chin indicates having returned from a war party bearing the scalp of an enemy killed in battle.
   A collar with streamers indicates a warrior who has fought against the enemy. Each streamer indicates a battle he has fought in. If the streamer is red it indicates that the wearer was wounded in the battle; if it is any other colour it indicates that he was not wounded in the battle.
   The diagonal black stripes on the thighs indicate having been in battle on foot; the black crosses that he was in battle on horseback.
   The sash over the right shoulder and across the chest is of antelope hooves and is a charm prepared by the Holy Man to protect against wounds. The belt with discs on is a charm prepared by the Holy Man to secure sustenance when on the warpath.
   The string of tinkling bangles from waist to ankle indicates that that the war dance has been done. Only men who have fought the enemy may dance this dance and wear the badge of having done so.
   The leg ornaments, if of otter skin with the fur on, indicate having scouted against the enemy.

Holy Bow Carrier – Tsististas.

  
Original drawings by Thunder Bear. 
Copyright Walker Collection, Colorado Historical Society.

   This man can never be shot in battle, he is very skillful. The indicative insignia are the eagle quill worn at the scalp lock, the red stripes on the head and face, the armlets and the red stripes on the moccasins.
   The quill and armlets have been described in Number 1. The red stripe on the head indicates that the man is a Tsististas (Cheyenne). The perpendicular red stripes on the face indicate that an enemy was killed in hand-to-hand combat. The red stripes on the moccasins indicate that the enemy was killed while on foot.

War Party Leader (Blotohuka).

  
Original drawings by Thunder Bear. 
Copyright Walker Collection, Colorado Historical Society.

   The distinctive insignia are the eagle quills at the scalp lock, the red forehead with black perpendicular stripes on it, the yellow arms and legs, the diagonal red stripes on the thighs, the black rabbit tracks on the legs, the war pipe in hand and the scalp shirt.
   The red forehead with black perpendicular stripes on it and the diagonal red stripes on the thighs indicate intention to war against an enemy. The yellow colouring of the body is the symbolic colour of The God of the Rock (Inyan), the patron of revenge, destruction and violence. Rabbit tracks on the sides of the legs indicate rapidity of action and that the war will be made on foot.
   The war pipe should have a black stem ornamented with a human scalp. When carried or smoked it indicates warlike intentions.
   A scalp shirt is an ordinary skin shirt ornamented in any manner, but it must have fringes of human hair, representing scalps, at the seams of the sides and arms. To wear a scalp shirt indicates intention to do an act of bravery. To habitually wear it indicates a man who has done a notable act of bravery. To wear it temporarily means a position of responsibility that may be dangerous. One who organises a war party and leads it may wear it temporarily and if the party is victorious in battle he may wear it habitually
.

A Man Who Killed An Enemy.

  
Original drawings by Thunder Bear. 
Copyright Walker Collection, Colorado Historical Society.

   Described as follows by a Lakota: “This man dresses in this way and then kills an enemy honourably. The enemy was very dangerous but this man was the more to be feared as dangerous. He was not afraid of being killed. So now he is a good man. Now he is a leader. He is Lakota.”
   The distinctive insignia are the yellow colour on the face and body and the red colour on the limbs and feet; the armlets, wristlets and anklets; the war bonnet and banner and the irregular red line about the left eye. All these have been explained except for the red line. This is an irregular line forked at both ends and is the symbol of Wakinyan, the Winged God (or Thunderbird). It indicates having been irresistible in war.

Striped Warbonnet – A Tsististas.


Original drawings by Thunder Bear. 
Copyright Walker Collection, Colorado Historical Society.

 The significant insignia are the red body, the armlets and wristlets, the Warbonnet and the banner. The red body indicates compliance with Cheyenne customs. The armlets and wristlets have been explained.
   The Warbonnet is made of a headpiece that fits like a cap to which is attached at the rim a circle of quills from the tail of a young Golden Eagle. The feathers are white, tipped with black and are arranged so that they project upwards. A Warbonnet can be ornamented in any manner to suit the taste and fancy of the owner and significance may be given to the ornamentation that will be recognised by the people. One ornamentation is a long pendant behind, to which is attached a row of quills like those on the bonnet. All feathers must, of course, be earned. Another conventional ornament is an eagle plume attached to the centre of the headpiece so that it projects above the quills. Only men of renown were permitted to wear the warbonnet, the pendant indicating greater battle deeds and the plume a great repute than a warbonnet without these ornaments. The colouring in the picture, the blue of the headpiece and plume and the bird feather plumes at the tips of the quills, indicate protection by the Great Spirit. The red pendant and squares on the bonnet and pendant indicate having fought furiously and the dark spots on the pendant indicate having fought on horseback.
   The banner is a coup stick to which are applied tertiary quills from the wing of a young Golden Eagle. These are white with black tips. The coup stick denotes that the bearer has touched the body of an enemy while at war. If the body was dead and killed by another then the stick should be plain with no dangles of any kind. If the body was dead and killed by the one who touched it then the stick should have a dangle made from an eagle’s quill. If a scalp was taken the stick should have a scalp (or an imitation scalp) dangling from its upper end. If the bearer touched a number of bodies his coupstick should have eagle quills attached as to form a banner similar to that shown in the picture. The quills may be attached to all or only part of the stick.

A Man Who Killed Two Enemies.

  
Original drawings by Thunder Bear. 
Copyright Walker Collection, Colorado Historical Society.

   The distinctive insignia in the illustration are two eagle feathers at the scalp lock, the yellow colour on the face and red colour on the body, the red line around each temple, the armlet with yellow dangles and the coupstick. The eagle quills and colours have been explained. The red lines about the temples and the yellow dangles on the armlet indicate that he was able to kill two enemies. The eagle quills upright indicate that they were killed in battle and the coupstick that he touched their bodies.

Leader of the Beaver Society.

  
Original drawings by Thunder Bear. 
Copyright Walker Collection, Colorado Historical Society.

   The distinctive insignia in the drawing not already explained are the unbraided but bound hair, the otter skin sash and the war club. The unbraided but bound hair indicates having done desperate deeds and the readiness to do them again. The otter skin sash is the badge of chieftainship of the Beaver Society of the Oglala Lakota. Habitual carrying of a war club indicates a warrior ready to go on the warpath at any time

HISTORY HOME PAGE FACE AND BODY PAINTING 1 FACE AND BODY PAINTING 2 FAMILY TREE 
THE LAKOTA LAKOTA WORDS 1 LAKOTA WORDS 2 THE PIPE
NATIVE AMERICAN QUOTES THE HORSE THE BUFFALO WARFARE
THE SUN DANCE LIFE AND DEATH LAKOTA WORD INDEX LITTLE BIGHORN
THE DECLINE OF THE PLAINS INDIAN BIG FOOT SITTING BULL CHIEF JOSEPH
BLACK KETTLE RED CLOUD DULL KNIFE GALL
GERONIMO      

Copyright © William Purcell 2004
All rights reserved.