Native American

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The writings of William Purcell writing as Shunkepi Nunpi

Contents

Pictorials

Wounded Knee Pictorial

Littlebig Horn Pictorial

Abby Stewart

People of Turtle Island

SHORT STORIES

My Death

First Encounter

Old Man and the Boy

Grey Wolf

Sun Dance

Wounded Knee

Sweat Lodge

Ghost Shirt

Rides Beneath The Hawk

Wolf In The Heart

Last Journey Together

The Story Of White Owl

Morning Clouds Story

Wolf Society

The Sand Creek Massacre

The White Buffalo Calf Pipe

The Battle Within

The Drum

This Land

Journey
Home

POEMS

Page 1

Page 2

Page 3

Page 4

Page 5

Page 6

Page 7

Page 8

Page 9

Page 10

Page 11

Page 12

Graphics

Page One

Page Two

Page Three

Page Four

Page Five

Page Six

Page Seven

Page Eight

Page Nine

Page Ten

Page Eleven

Page Twelve

Page Thirteen

Page Fourteen

Page Fifteen

Page Sixteen

Page Seventeen

Page Eighteen

Page Nineteen

Page Twenty

Page Twenty-One

Page Twenty-Two

Page Twenty-Three

Page Twenty-Four

Page Twenty-Five

Education Section

History Home Page

The Lakota

Face and Body Painting 1

Face and Body Painting 2

Family Tree

Lakota Words 1

Lakota Words 2

The Pipe

Native American Quotes

The Horse

The Buffalo

Warfare

The Sun Dance

Life and Death

Lakota Word Index

Little Bighorn

The Decline of the Plains Indian

Present Day People of Turtle Island

Sites

Guest Page

Links

 

MEANINGS OF PAINT AND ATTIRE.
PAGE TWO.

Original drawings by Thunder Bear. Copyright Walker Collection, Colorado Historical Society.

A Heyoka Warrior.

  
Original drawings by Thunder Bear. 
Copyright Walker Collection, Colorado Historical Society.

   The significant symbols in the picture not already explained are the symbols of the Sun, the Moon and the Winged God. The star, crescent and bird are these symbols. They indicate having received a vision from each of these. Such symbols may be painted on a person, his implements or his tipi. It is unusual to paint them on the person but common on the tipi or shield. The forked lines on the limbs indicate a communication from the Winged God (Thunderbird). Such lines may be straight but usually they are zigzag. It is usual to paint them on the person or shield but not on the tipi.
   The knife suspended from the wrist indicates a warrior who fights with the knife, an unusual method, done by Heyoka, or one who has seen the Winged God in a vision.

A Scout.

  
Original drawings by Thunder Bear. 
Copyright Walker Collection, Colorado Historical Society.

  This man is always the first scout to return. No scout returns home before him. Therefore he wears the four stripped feathers of a returned scout. Nobody else may do this, only an expert scout.
   The insignia signifying a successful scout are four eagle quills with their webs from the black tips down trimmed from the shafts and hanging, adorned with red bird plumes attached to the tips and worn erect at the scalp lock. A bow and two arrows carried in the hand indicate a readiness to act. The red colour from the top of the forehead to below the eyes indicates compliance with Lakota customs. The yellow colour on the body indicates readiness to do destructive things, or go to war.

Leader of the Sotka Society.

  
Original drawings by Thunder Bear. 
Copyright Walker Collection, Colorado Historical Society.

   Head man of the Sotka (Bare Lance) society. The Lance borne is wrapped with otter skin with the fur on, curved with a crook at one end and a lance point at the other. Decorated with twelve clusters of Eagle quills, two quills in each cluster, one cluster at the end of the crook. A cord of sinew across from the tip of the crook to the shaft of the lance indicates the leadership of the bearer. Warbonnet, scalp shirt and hair unbound are as before explained. The shield is ornamented in compliance with the communication given by the Swallow, the messenger of Wakinyan. A bull buffalo is the central figure on the shield. The shield is red. Eagle quills are attached to the side of the shield and the apron of the shield is ornamented with four rows of eagle quills with four quills in each row. The entire shield is a Sacred Implement and may be used in ceremonies.
   The tomahawk in the hand indicates the same as a war club in the hand.
   Eagle quills on the shoulders indicate leadership.

 

 

FACE PAINTINGS.

A black stripe from the outside of the eye, down through the cheek, to the jawbone is the insignia of an Akicita or marshal of a camp. It is first painted there by a Holy Man or one who has been appointed by the council. Afterwards it may be renewed by the wearer as often as necessary.

 A red parallel stripe indicates the marshal of a ceremonial camp.

 

 

 

 

 

Having a stripe on both cheeks indicates the marshal of a civil moving party; i.e. when a village is moving.

 

 

 

 

Two black stripes on the right cheek indicate the marshal of a war party.

 

A black stripe on the right cheek and one on the forehead indicates the village crier or herald.

Having red parallel stripes indicates the wearer is the herald of a ceremonial camp.

 

HISTORY HOME PAGE FACE AND BODY PAINTING 1 FACE AND BODY PAINTING 2 FAMILY TREE 
THE LAKOTA LAKOTA WORDS 1 LAKOTA WORDS 2 THE PIPE
NATIVE AMERICAN QUOTES THE HORSE THE BUFFALO WARFARE
THE SUN DANCE LIFE AND DEATH LAKOTA WORD INDEX LITTLE BIGHORN
THE DECLINE OF THE PLAINS INDIAN BIG FOOT SITTING BULL CHIEF JOSEPH
BLACK KETTLE RED CLOUD DULL KNIFE GALL
GERONIMO      

 

Copyright © William Purcell 2004
All rights reserved.